No way can a mere four discs cover every facet of the blues king's amazing recording career, but MCA makes a valiant stab at it. The first two discs, as expected, are immaculate: opening with his Bullet Records debut ('Miss Martha King'), the box continues with a handful of pivotal RPM/Kent masters before digging into his 1960s ABC-Paramount material ('I'm Gonna Sit in 'til You Give In' and 'My Baby's Comin' Home' are little-recalled gems). The hits - 'The Thrill Is Gone,' 'Why I Sing the Blues,' 'To Know You Is to Love You' - are all here, and if much of the fourth disc is pretty disposable, it only mirrors 's own winding down in the studio.
King (born September 16, 1925), known by the stage name B.B. King, is an American blues musician, singer, songwriter, and guitarist. Rolling Stone magazine ranked him at No. 6 on its 2011 list of the 100 greatest guitarists of all time (previously ranked No. 3 in the 2003 edition of the same list), and he was ranked No. 17 in Gibson's 'Top 50 Guitarists of All Time'. According to Edward M.
Komara, King 'introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed.'
His reign as King of the Blues has been as long as that of any monarch on earth. For more than half a century, Riley B. King – better known as B.B. King – has defined the blues for a worldwide audience.
Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola.
In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. Stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. Further in the art of the blues.
B.B.’s first big break came in 1948 when he performed on Sonny Boy Williamson’s radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. “King’s Spot,” became so popular, it was expanded and became the “Sepia Swing Club.” Soon B.B.
Needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. Sound blaster live 24-bit.
Discography
In the mid-1950s, while B.B. Was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. Raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death.
When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.’s trademark Gibson guitars has been called Lucille. Soon after his number one hit, “Three O’Clock Blues,” B.B.
Began touring nationally. In 1956, B.B. And his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. Has become the most renowned blues musician of the past 40 years. Over the years, B.B.
Has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. Has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.” In 1968, B.B.
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Played at the Newport Folk Festival and at Bill Graham’s Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. And helped to introduce him to a young white audience. Was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows. Was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS’ Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo(MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi. In 1991, B.B.
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King’s Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal CityWalk in Los Angeles. A third club in New York City’s Times Square opened in June 2000 and most recently two clubs opened at Foxwoods Casino in Connecticut in January 2002. In 1996, the CD-Rom On The Road With B.B. King: An Interactive Autobiography was released to rave reviews.
Also in 1996, B.B.’s autobiography, “Blues All Around Me” (written with David Ritz for Avon Books) was published. In a similar vein, Doubleday published “The Arrival of B.B. King” by Charles Sawyer, in 1980. Continued to tour extensively, averaging over 250 concerts per year around the world.
Classics such as “Payin’ The Cost To Be The Boss,” “The Thrill Is Gone,” How Blue Can You Get,” “Everyday I Have The Blues,” and “Why I Sing The Blues” are concert (and fan) staples. Over the years, the Grammy Award-winner has had two #1 R&B hits, 1951’s “Three O’Clock Blues,” and 1952’s “You Don’t Know Me,” and four #2 R&B hits, 1953’s “Please Love Me,” 1954’s “You Upset Me Baby,” 1960’s “Sweet Sixteen, Part I,” and 1966’s “Don’t Answer The Door, Part I.” B.B.’s most popular crossover hit, 1970’s “The Thrill Is Gone,” went to #15 pop.
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On May 14th 2015 the world lost a true gentleman. Passed away quietly in his sleep. Was fond of saying that education is something no one can take away from you, and there is a vast population of under-served children in our area who need the message of hope.
We take that to heart and have many programs in place, but we need ongoing support to keep those viable and continue to add engaging and inspirational messages. Your donation can help us with resources to reach as many young people as possible. The B.B.
King Museum and Delta Interpretive Center is a 501©(3) non-profit organization, so your contributions are tax-deductible.
Three cheers to Ace Records for reissuing 's Crown, Kent, and Ember sides as albums with original artwork, remastered sound, and plenty of bonus tracks. King of the Blues was 's sixth album for on Crown, issued at a budget price, and his second full-length outing of 1960 after coming off his chart-topping 'Sweet Little Sixteen' single earlier in the year. The set opens with the B-side of that single, 'I've Got a Right to Love My Baby,' and also includes 'Partin' Time,' a number eight charter as well. 'I'm King' is at his boasting best; his modern style that crosses rock & roll and R&B with the jump blues is fully developed here, and his consistency from track to track during those crazy days is remarkable. In addition, there are ten bonus tracks (making the CD double length), including tunes from the early to mid-'60s such as 'Tell Me Baby,' '3 O'Clock Blues,' 'Million Years Blues,' and an obscure remixed track from 1962 (issued as a single in 1970 on Kent) called 'Worried Life.'
Licensing
This is a stellar look at a young, cocky, guitar-slinging. The sound is very fine and the notes by are exemplary. This is a necessary purchase for anyone interested in 's career.
B.B.KING: Greatest Hits Of B.B. King - The Best Songs of B.B.
King Track List: 01. Rock Me Baby 02. Blues Boys Tune 04. How Blue Can You Get 05. Key To The Highway 06.
Why I Sing The Blues 07. You're Gonna Miss Me 08.
When Love COmes To Town 09. Everyday I Have The Blues 10. Happy Birthday Blues 11. If You Love Me 12. The Thrill Is Gone 13. Please Send Me Someone To Love 14.
Dangerous Mood 15. Ain't Nobody Home 16. Pauly's Birthday Boogie 17. There Must Be A Better World Somewhere 18. COnfessin' The Blues 19.
Humming bird 20. Bring It On Home To Me 21. Paying The Cost To Be The Boss 22.
Nevertheless, the album was a moderate success in Europe and Japan, and has been certified silver by the (BPI). Contents • • • • • • • • • • • Background [ ] The recording sessions for Because I Love It started in 2005. Amerie because i love it vol 1 zipwall.
Let The Good Times Roll.